Malū, holoi ʻo ia i ka ʻōlelo i kēlā me kēia kulu, kālai ʻia e like me kona ʻano, hāʻawi i nā huaʻōlelo a, no laila, waiwai. ʻO ka caló, ma o ka poʻe hoʻokani gypsy, hoʻokomo i nā hana o ka cante e like me ka trickle. Ua waiho ʻo ia i nā huaʻōlelo e hoʻonui i ka huaʻōlelo, nā ʻōlelo o ka kaulana nui, a me ka wehewehe ʻana i nā hiʻohiʻona. Inā mākou e hoʻolohe i kahi album piha o kēia ʻano mele a mākou e mālama nui ai mai kēia kūlanakauhale, he mea kupanaha ke loaʻa ʻole. Inā heluhelu mākou i kahi puke a i ʻole ka mea hoʻohewa kūikawā, pēlā nō. Nui nā album i loaʻa nā huaʻōlelo Caló i ko lākou poʻo inoa, ʻoiai nā huaʻōlelo piha. No ka laʻana, 'Sinar caló sinela un pochibo (Ka haʻaheo o ka gypsy)', ʻoiai ʻo La Chiqui de Jerez i bapetizo ai i ka hana āna i haʻi aloha aku ai i kahi kenekulia XNUMXth hua.
ʻO kekahi, ma waho aʻe o ka mele, ua paʻa i ka hale paʻahao, ʻo ka mea a Octavio Paz e ʻōlelo ai, ma ka ʻōlelo Sepania: cajole, parné, chanelar… Me ka lā o ka poʻe Gypsy i hoʻopaʻa ʻia ma ʻApelila 8, nānā mākou i ka mea i hoʻohana nui ʻia a ʻike.
Hiki i kēlā me kēia ke mele 'Pepehi mālie iaʻu me kāna mele' a hoʻololi, i loko o ko lākou lolo, ka leo o Roberta Falck no Pintingo, ʻo ia hoʻi ka ʻuhane i hele i ka inu e ʻohi i kāna lanakila nui. Eia naʻe, ʻaʻole nui ka poʻe i ʻike ʻo Pitingo, ka lauoho gel i hope, ka pāpale pōkole ma kēia ʻaoʻao a me ka lole puka puka hale kūʻai, ʻo ia hoʻi ka 'hoʻohaʻahaʻa'. Eia kekahi, ʻo kaʻu ʻōlelo, aia ka caló i nā inoa inoa o nā mea pena. Ua ʻike anei ʻoe i ka hula ʻo Choro?
ʻO La debla, 'akua wahine', he ʻano flamenco, kahi i hāʻawi ai ʻo Tomás Pavón i ke kiʻekiʻe i loko o kāna hale pule 'Ma ke kaiāulu Triana', kahi i waiho ʻole ʻia nā penikala a i ʻole nā inkwells e kākau i ka makuahine nalowale. A ʻo Dios, ma Caló, unuhi ʻia ʻo 'undebel', ʻo ia paha kekahi o nā huaʻōlelo i ʻike nui ʻia ma ka repertoire flamenco: «Gypsy, e hoʻā i ke kukui / ua ʻona wau / ke kamaʻilio nei wau e pili ana iā ʻoe i kahi undebel», i hoʻomanaʻo ai. ʻO Camarón ma ka hope o kahi soleá. ʻO 'Undebel' ka rumba i hāʻawi i ke poʻo inoa i ka album mua a Cigala, ka hui a Mairena i kapa ʻia i kahi seguirilla e Fillo a me nā mea he nui o nā cantaores i ʻōlelo ʻia me ko lākou nānā ʻana i kekahi wahi i pau ʻole i ka lewa.
Naquerar kā mākou!
ʻO 'Larache' ka 'pō', a, me kahi lipine no nā tangos i kona lauoho, ua paʻa ʻo Carmen Linares iā ia ma lalo o ka malu o kahi mahina ulu ʻole. 'Larache', 'noche': he kani makamae. ʻO 'Bajañí' ka 'kikā'. 'Duquela', a 'duca', 'eha'. 'Lache', 'hilahila'. A ʻo ka 'lache' maʻemaʻe ʻo La Perla de Cádiz ʻaʻole ia he mea minamina i ke kūʻai ʻana aku i kāna fragüita liʻiliʻi. Ua ʻike mua ʻo 'Camelar' iā ia. 'Guillar', ka mea a Niña de los Peines i hana ai i ka seguirilla 'A la Sierra de Armenia', ʻaʻole paha. 'O ia ho'i 'e ha'alele koke, e holo'. E like me ka hana ʻana o kekahi o nā protagonists inoa ʻole o Lorca's 'Romancero' i ka wā "e piʻi aʻe nā papa hewa" o nā Kiaʻi Kivila e hōʻino i ka pāʻina. 'Guillar' me ka ʻōlelo ʻole ʻana he 'mú'.
ʻO 'Naquerar' ke ʻoki nei, akā ʻino ke mele ʻana ʻo Manuel Agujetas, a me ka leo hoʻopaʻi i ka wā e haʻi ana iā 'Camelamos naquerar' na Mario Maya me nā kikokikona na José Heredia. Makemake mākou e kamaʻilio! 'Wehe 'oe i kona mau maka. 'Oripandó', ka album hou na José Mercé a me kahi haku mele na Manolo Sanlúcar no kāna album 'Candela', 'amanecer'. 'Amaró', 'mākou', ʻoiai ʻo Manuel Agujetas Jr. i pale ai i kāna hana moʻolelo hoʻokahi a hiki i kēia lā. A ʻo 'Sastipén talí', he haʻihaʻi e like me ka haʻihaʻi iā mākou, ʻo ia ka 'ola a me ke kūʻokoʻa', ʻo ia ka ʻōlelo a ka poʻe holoʻokoʻa i ka ʻimi ʻana i kēlā binomial ʻaʻole i kū mālie, a i ʻole kakaʻikahi.
ʻO nā hui e like me Los Chorbos, Los Chichos a me Los Chunguitos, ka mea i hana i ka gypsyism i mea kūʻai aku ma ka loaʻa ʻana o ia me nā ʻano mele mele o nā makahiki 70, e hoʻopili i kā lākou noʻonoʻo i kahi huaʻōlelo e pau ana ma Caló, e pili ana iā Manuel Machado, mai ka poʻe. ua hana ʻo ia i nā ʻāpana nona ponoʻī. A 'choros' a me 'jambos' e hana nei a puni nā kūlanakauhale i kēia lā: 'pōwa' a me nā 'mākaʻi', me kēlā 'ʻaʻole maopopo iaʻu ke kumu' me he backdrop me El Jeros restless ma ka microphone.
Ua noho pū kēia ʻano like ʻole o Romani no nā kenekulia a ua mae ʻole me ka pau ʻole: ola ia i kā mākou kamaʻilio. A ke kamaʻilio nei, pololei, no nā kaʻao kahiko o nā ala a me ka lepo, nā huakaʻi hele wāwae, a me nā kūlanakauhale i hoʻopaʻi ʻia i nā galleys i haʻalele i kā lākou mau kuʻuna.
