ʻO kahi pule me ka pūʻulu o nā hua waina moʻokalaleo, e hoʻokokoke ana i ka 'out of promotional date' no Dekemaba aʻe, hōʻike mākou i ka hana hou a Los Punsetes, ka mea i hoʻi mai kahi a lākou i haʻalele ʻole ai akā ʻoi aku ka maikaʻi, hoʻihoʻi mākou i kahi ʻōlelo hoʻohewa i hala. ʻO kā lākou día del galo Dominique A, hoʻokokoke mākou i ka hana hou a Omar Montes ma ke ʻano he paradigm o kahi thesis hiki ke hana a pili mākou i ka poʻe leo o Marala a me kāna 'Jota de morir'. Na Jesús Lillo Omar Montes - 'Hoʻopiʻi a kahi pōā' Lawe mai i ka lehulehu i nā nīnauele nui loa me nā hopena o kāna Spotify Wrapped no 2022, hoʻomanaʻo pilikino no nā manawa o ka poina hui, hoʻomanaʻo i ka transitory no ka poʻe poina, ʻaʻole paha. me ka ʻike ʻana ua hiki i ka lehulehu hoʻolohe ke hāʻawi i nā palapala o ka makahiki e hiki mai ana, me ka ʻole o nā ʻano like ʻole i hoʻohālikelike ʻia i ke koena maoli o ka makahiki mele ʻaʻole i hoʻomaka a ʻaʻole hoʻi i kau ʻia nā moʻolelo ma nā pūnaewele. Ua kākauʻia nā mea a pau, i kēia manawa no ka binary. ʻO Urban Music Omar Montes – 'Hoʻopiʻi a kahi pōā' Discography Sony 2 ʻO ka algorithm a me nā hana maʻamau e hoʻohana ai i ke kahawai, i kēia hihia o nā mele, ʻaʻole hiki ke wānana, akā hiki nō hoʻi. E hoʻokō hou ʻo Omar Montes iā ia me kāna hoʻomaʻamaʻa ʻana i ka flamenco suburban - noʻonoʻo pono ʻole, me ka loaʻa ʻole o kahi kumu pilikino e hoʻoikaika i ka hilinaʻi - ʻaʻole ma muli o ka marginality, ʻike ʻia i ka hopena o nā makahiki XNUMX, i ka wā ʻo Caño Roto, akā no ka ʻO ka hoʻohālikelike ʻana o kahi ghetto i kēia lā he ʻokoʻa ʻē aʻe, he ʻano neʻe - ʻaʻole hilinaʻi hou i ka mea hoʻolohe, ʻoi aku ka liʻiliʻi ma kahi koi moʻomeheu conditioned a mechanized, akā ma ka hoʻonohonoho ʻana o nā ala kikohoʻe i kēia mau lā nā awāwa aliʻi e komo ai nā pipi. neʻe a alakaʻi mau lākou i Roma, ʻo ia nō kahi hōʻailona o ʻOmar. Inā Luis de Pablo, a mai kahi kūlana elitist undisguised, uē i loko o kona lā e kū'ē i ka pop no ka poino i hoʻokau 'ia ma luna o ka poe hoʻolohe, hoʻokaʻawale 'ia mai ka mele a hiki i ka manawa i manaʻo Classical paha moʻomeheu, ka globalization o ka hoolohe ana i loko o ka 'streaming' a me The de ʻO ka monopoly facto i hōʻike ʻia e Spotify e alakaʻi i kahi hoʻololi paradigm hou, e like me ka mea a ka mea kākau o 'We' i hoʻohewa ai i kekahi mau makahiki i hala. ʻO ke kumu hoʻokele waiwai hou: inā makemake ʻia ka hoʻolaha ʻana o ka pop, ʻoi aku ka maikaʻi o ka redundancy, mai ka waena o ke kenekulia i hala ma muli o ka hoʻonāukiuki ʻana o ka moʻomeheu mea kūʻai aku - a ʻo ia hoʻi, ka ʻai ʻana i ka moʻomeheu, no laila e ʻōlelo ai - a me ka hoʻemi ʻana i kahi mele. a hiki i ka manawa i lilo ai ka waiwai o ka poe elite a Luis de Pablo i kamaʻilio ai iā ia iho, ʻo nā mele manuahi - a i ʻole kā lākou ʻai ʻana ma o nā uku paʻa, nā kiʻi kumukūʻai - ʻaʻole hiki ke loaʻa i kekahi hopena ʻē aʻe, kūpono pololei, ma mua o ka haʻahaʻa loa mai kāna mau kūlana qualitative a nā mea liʻiliʻi ʻaʻole i mōʻaukala hou, akā e hōʻike ana i kahi au hou. Ua kākau ʻia, no laila binary. He pipiʻi ka cheap, ma ka Karistiano. Loaʻa iā Omar Montes 'Quejíos de un malante' nā mea hana a pau e mālama ai i kēlā anaina e hoʻomanaʻo ʻia i loko o kekahi mau mahina i ko lākou hauʻoli i ka hoʻolohe ʻana iā lākou. He papa inoa nui ka album o nā mea pena kiʻi malihini, kākoʻo ʻia e ka leo manipulated o kahi mea kaulana ma nā ʻoihana pūnaewele, e hōʻiliʻili i nā kiʻi paʻi o kahi ʻaoʻao ʻāhiu o ke ola, hoʻoponopono ʻia e kahi multinational Iapana, a hoʻoneʻe i ke koena o ka verbena flamenco i ke kahua o hewa, aloha mau a me ka hoʻohuʻihuʻi hauʻoli pōā, meʻe o ka Andurrial mythology i Manzanita a Estopa ua huli hope, aole e hai aku Los Manolos, bleachers me ka 'Olumepika diploma, a me ka poe i hanau lima lima ma ka lima o ka mea akamai. ʻokoʻa i ke ʻano o ka hanana, waiho i ka 'autotune' kūlana a me ka hoʻopaʻapaʻa i kau ʻia ma luna ona e ka poʻe i kākau mua i ka papa inoa o ka makahiki e hiki mai ana. E hele koke mai ana ma Spotify a ma nā keʻena mare maikaʻi loa ma Torrejón. Na Javier Villuedas Los Punsetes – 'AFDTRQHOT' Hiki ke hoʻololi i nā manawa (no ka ʻino, ʻoiaʻiʻo nō), akā ʻaʻole hiki iā Los Punsetes. Nui ka inaina. ʻO ka holomua a lākou i kamaʻilio ai? ʻO ka holomua o ka maʻi maʻi, ʻōlelo ʻoe? ʻO ka album ʻehiku e ka hui Madrid, 'AFDTRQHOT', hoʻomaka me 'ESPAÑA CORAZONES', i kekahi manawa nā bele e like me ka Double Hemstitch e walaʻau ana. Hoʻomaka ia me kahi arpeggio hewa i kūpono iā Neil Young's Crazy Horse no laila ua helu ʻia kāna mea mele ʻo Ariadna i 0 no kāna mele ʻana e kahi kumu no 'Rolling Stone', e hoʻomaka ana i ka puka mua ma ke ʻano o ka ikaika lanakila: "ʻO Sepania ka mea Let it. e hele i waho o kaʻu mau pōlele." I ka hopu ʻana i ka manaʻo, hoʻopau ʻo ia i kēia pā mua me kahi corollary comical: "Ua koe ka hapalua o Sepania. Ua pilau ka hapalua o Sepania iaʻu. ʻO Sepania e ala aʻe i ka wanaʻao a ʻo ka mea hele ʻole e moe. Noise-punk Los Punsetes – 'AFDTRQHOT' Discography Sonido Muchacho 5 A laila, hoʻomau ke ʻano, il jogo del inaina, ʻo ka huhū ka ikaika a me nā mea āpau, kona ʻano laulā. Ma ʻaneʻi, hana lākou i ka piko: “E make nā puaʻa a pau. Mai ʻehiku a ʻehiku e hoʻomaka me ʻoe. Keokeo ka mahina, hina ka lani. A pono e make kou mau hoaaloha." Me ka leo hoʻokalakupua o 0 i ka leo, i loko o kēia mele aia paha, he hoʻopaʻi kālai'āina me ka ʻole abstractions "he pipiʻi loa ka hoʻolimalima ma Madrid, a pono kou mau hoaaloha e make" e hoʻohui i kahi mea hou liʻiliʻi me ka hāʻawi ʻana o nā corillo. aole lakou i hana mau ʻO 'PIGS' ka lua. Ma ke ala, uhi ʻo Johnny Ryan i ka album a me nā mele. ʻO ka mea mai 'Putridge'. Hui Kalepa Nani ka nani. Ke hoʻomau nei ka ʻaoʻao A me 'QUE TE VAYA MAL', kahi hihiʻo hoʻomohala hou ("A inā ʻike wau i ke kaomi ʻana i ke pihi e pā koke iā ʻoe me kahi kaʻa, e pāʻani wau me ka kali ʻole a pule no ka mea hoʻokele"). ʻO 'HELLO, DESTRUCTION' kahi leo pop me nā ʻōlelo aʻoaʻo kahiko i hoʻokomo ʻia ("ʻO kēlā me kēia pōʻino i manaʻo ʻia he pāʻani liʻiliʻi ia e hoʻopau iaʻu"). A laila 'ESTRATOS GEOLÓGICOS', emi pololei i ka maikaʻi sonorous manaʻo, e like me ka haʻalele 'ana mai ka mele mele a hiki palapala laina o na mua, no ka mea, hilinaʻi ma luna o non-particles e hai aku i ka eha ("Aʻaʻohe sediments i loko o koʻu puʻuwai. . Ma kahi iki aku e loaʻa iā ʻoe kekahi mea. He huaʻōlelo, he kiʻi, he hale ʻaina. Nā lae o kēia manawa, ka piko o ka wā i hala... A ʻaʻohe sediments. ʻAʻohe mea i koe, ʻaʻohe mea e noho, ʻaʻohe mea »). Hoʻomanaʻo ʻia kēia, ma muli o kāna pāʻani hoʻohālikelike, i ka nani 'Imagine being a stone' a lākou i hoʻokuʻu ai i hoʻokahi makahiki i hala. Hoʻopau ka ʻaoʻao mua me 'Cosas que no me gusta', kahi hoʻomaʻamaʻa maikaʻi i ke ʻano o kāna malotism inveterate akā me kahi hale kaʻa lo-fi e pau ana. Ua ʻōlelo ʻia ua ʻōlelo mau ʻia nā mea a pau i loko o lākou akā aia nā mea hou, i ko lākou kani, i ko lākou holomua a me nā hale, i kā lākou pani ʻana, a lākou e hoʻokō ai me ka nalowale ʻole o ka mea maikaʻi e pili ana iā lākou, ko lākou freshness. A ma kēia hana ka manawa e hana maikaʻi ai kēia mau mea a pau. A pehea ka maikaʻi o ka album iā ʻoe, i hoʻopaʻa ʻia e Paco Loco a hui pū ʻia e John Agnello (Dinosaur Jr.). Ua wehe ʻia ke ʻano B o 'AFDTRQHOT' me ka 'OCCULTISM', a ke pāʻani nei kahi huaʻōlelo home pessimistic: “Ma ka hope o ka tunnel ua ʻike ʻia aia he ala ʻē aʻe. Ke alakaʻi nei i kahi tunnel e hiki ai i kahi tunnel ʻehā." ʻO 0 pū kekahi me nā huaʻōlelo nani ʻē aʻe e like me "ʻAʻohe wai mānoanoa ma mua o ka inaina aʻu e haʻi aku nei iā ʻoe." Hoʻomaka ka mea aʻe i ka formulary: “No ke aha e makaʻu ai i ka hahau ʻana. He aha ka hewa o ka ua o nā pūʻali. ʻO nā pūʻali a pau i koho ʻia. ʻElua a ʻekolu paha, ʻoiaʻiʻo, pono ʻoe iā lākou". Ua kapa ʻia e Bresson ma 'A CONDEMNED TO DEATH HAS ESCAPE' me kahi pūʻulu o nā leo i loko o ka mele, hiki mākou i 'FOMO', kahi kumuhana hope loa a lohi, e waiho ana i kahi kiʻi pohihihi a evanescent hope. I loko o kahi album he hōʻike hoʻohiwahiwa o ka ʻokoʻa ʻokoʻa a me nā kiʻi like ʻole i loko o kāna noise-punk, no ka mea, i nā manawa ʻē aʻe ua lilo ʻo ia i hui like ʻole, e loaʻa ana kāna album maikaʻi loa i nā makahiki ma o ka hui ʻana e like me ka wā ma mua o ka lihi o nā album mua ʻelua a me ka ʻO ka hana maikaʻi loa o ka poʻe e hiki mai ana, me nā mele i komo piha i ka maikaʻi o ka discography o kahi hui me kahi ʻaha mele o 15 mau kukama maikaʻi ʻole. Na Andrés Castaño DOMINIQUE A - 'Ke ao maoli' Hoʻokahi mea hana hou liʻiliʻi hou, akā ʻoiaʻiʻo, me ka ʻole o ka hōʻike maʻalahi o ka haku hana. No ka mea, ʻoi aku kona ʻano hana ma mua o ka mea i manaʻo ʻia. ʻO ka mea a Dominique A ʻaʻole ia he coincidence, ʻaʻole hoʻi he manawa, ka hua o ka hoʻololi nui. ʻO kāna huakaʻi piʻi ma o 14 studio albums ua alakaʻi iā ia e kūkulu i kahi mele mele kupaianaha. Mai nā moʻolelo kahiko e like me kāna seminal 'La Fossette' (1992) me kahi leo homemade, loaʻa pū ʻo lo-fi i kāna album penultimate 'Strange Life' (2020) (Covid album / Confined i hoʻopaʻa ʻia ma ka home), ke ʻano o ka 'Toute latitude. ' (2018), i ka maikaʻi o 'Vers le lumieurs' (2012), 'Éléor' (2015) a i ʻole 'La fragilidad' (2018). A he nui na discotheques e kahaha. ʻO kēia 'honua maoli', kāna hana hou loa, hoʻohui i ka nui o kāna mele mele, kahi pilina nani, i hoʻonui ʻia e kekahi mau hoʻonohonoho hanohano: hoʻomau i ka pāʻani maikaʻi (mai ka 'Kahea hope o ka nahele' e hele ana mai ka ballad a i nā ʻāpana ʻē aʻe , 'Me nā mea ʻē aʻe' i loaʻa ka mana o ka spell i swing, jazzy, darky). Mele hou DOMINIQUE A – 'The real world' Discography Cinq7/Wagram Music 5 Ua hoʻopio ʻia kāna mau mele e ka mana kilokilo, kahi mana ʻike ʻole, e hopu i waena o ka leo, ka liʻiliʻi a i ʻole nā hale i hoʻonohonoho ʻia. Hōʻike ʻo 'Désacord des elements' i kāna ʻike kaiaola, me kāna mau mele i hoʻomaʻemaʻe ʻia, i hoʻomaʻamaʻa ʻia e nā noe uila, a hoʻoulu ʻia e ke kaula nani a me nā hoʻonohonoho xylophone. ʻO ka mele e hāʻawi i ka album i kona poʻo inoa e hoʻokaʻawale iā mākou, nānā malū iā mākou, a ʻike ʻia i waho o ka pouli. 'La casa' hāwanawana mākou ma waena o nā ʻohe a me nā kīpē, kā mākou hoʻowalewale 'Ma ke kai ma lalo o ka ua' ma ke kamaʻilio me nā mea kumu a me nā leo māmā a ʻona loa. ʻO nā mele a Dominique A he nani ephemeral, kahi mea i puka mai i waho o ka lima, akā waiho i kona hōʻailona, kona alahele, kona ʻala. ʻO kāna kauoha ʻana i ka ʻōlelo Farani e loaʻa iā ia kahi huaʻōlelo infallible, kahi mana lyrical like ʻole, he mele mele nui, he haku mele. Lanakila kēia 'honua maoli' me kēlā me kēia hoʻolohe. No ka mea, he mea hana ʻo Dominique A e pono ai i ka manawa e komo ai i loko o ko kākou ao. ʻO kekahi mea ma kahi ʻano ʻē aʻe, ʻoiai he mea ʻē ia iā mākou, he kūpono, maʻalahi, hoʻopilikia iā mākou, hoʻololi iā mākou, a hoʻonāukiuki iā mākou. ʻO kēlā ʻano i loaʻa i nā mea akamai wale nō. Na Andrés Castaño Marala - 'Jota de morir' ʻO kāna album mua 'A trenc d'alba' (U98 Music, 2020), lawe mai i ka hou a me ka ʻimi ʻana i nā aʻa, i kona ʻano ponoʻī, i loko o nā moʻolelo leo, me nā mele a lākou e inu ai. nui nā mele (nā pauku o Nina da Lua, Miquel Martí i Pol a i ʻole Maria Mercè Marçal i hele pū me kā lākou mau mele). ʻO ka hui mele Marala i hoʻokumu ʻia e Selma Bruna (Sant Cugat, Catalonia), ʻo Clara Fiol (Palma de Mallorca) a me Sandra Monfort (Pedreguer, Alicante) e nānā i nā moʻolelo (corrandas, jotas, tonadas, etc.) me ka mahalo i hāʻawi ʻia iā nā lāhui Akā, makemake lākou e hoʻokolohua, e hohola i ko lākou mau palena, ko lākou mau hale a me ko lākou ʻano. Ua lanakila kēia mau mea a pau ma kāna māhele disco 'Jota de morir': ka mea kupanaha mele maʻemaʻe i haku ʻia e Pau Vallvé lāua ʻo Jordi Casadesús. Kuʻuna leo ʻo Marala – 'Jota de morir' Discography Propaganda pel fet! 4 Ma 'Jota de morir' ke kamaʻilio nei lākou e pili ana i ka make akā me ka ʻole o ka hoʻohanohano maʻamau a me ka nānā ʻino. I ke ola, ʻike mākou i nā make a i ʻole nā hoʻololi, e kūʻē iā mākou, e ʻae iā mākou e ulu a hoʻomaikaʻi iā mākou iho. ʻO ka make ma ke ʻano he kahua pāʻani i kahi ʻē aʻe, ʻoi aku paha ka maikaʻi (a ʻaʻole paha), akā ʻaʻohe keaka, ʻaʻohe pōʻino. Loaʻa i ka 'Jota de morir' ka mana o ka leo (o nā leo ʻekolu), ka nui o ka puʻuwai, ke kani a me ka paʻi; ʻO nā mele piano a me ka papa keyboard e pahele iā mākou i ka minimalism kamaʻāina a me ka ʻōlohelohe maʻamau; a me nā kīkā e kani ana i nā kūlana o ka ʻuhane. Hele pū mākou me kekahi mau lewa maʻalahi ('A la vora del riu mare'), nā kīpē hypnotic ('Canteu a l'albat'), nā hopena leo hoʻopuni ('Disimula'), a i ʻole nā manawa hoʻōla (nā kīpē o 'Nocturno' a i ʻole ' Testament', a i ʻole ka melancholic guitar o 'Póstum'). ʻO kā mākou papa mele e hoʻohauʻoli iā mākou ('Verderol', 'Canción del varear'), hoʻopili iā mākou i kahi kapa o nā ʻike, nā pilina. Ma waho aʻe o Tarta Relena, na Maria Arnal lāua ʻo Marcel Bagés, hoʻohui ʻia kēia hiʻohiʻona poʻe holoʻokoʻa (Rodrigo Cuevas, Rocío Márquez y Bronquio, María de la Flor, Califato ¾, Baiuca,…) a hoʻokiʻekiʻe iā mākou ma ke ʻano kuʻuna. Hoʻohui ʻo Marala i ka Catalan a me ka Spanish i loko o kahi pālua e komo i ka ʻāina a me kona mau kani. Manaʻo wau i kahi wā e hiki mai ana no kēia ʻekolu i hoʻokumu ʻia ma ke kula akā me ka makemake e noiʻi i nā kumu a me nā mea hou. Hoʻopili ikaika kāna mau mele me nā mele o kēlā me kēia lā, ma kahi ʻano kūlohelohe e hoʻonui iā ia iho.
