ʻO Barcelona kahi pūʻulu archaeological, kūlanakauhale, hoʻokele waiwai a ideological paha. A ʻo kēlā me kēia stratum, ka lālā ʻohana o kahi lāʻau ʻohana kahiko. Ua komo ʻo Martín de Riquer i loko o ka waihona ʻohana e palapala i nā ʻaoʻao kokoke i ʻumikumamālima haneli o 'Umikūmālima hanauna o kahi ʻohana Catalan' (Planeta, 1979). He iwakālua makahiki ma hope, 1998, ua paʻi hou ʻo Jaume Vallcorba i ka hana nui ma Quaderns Crema.
Nā palapala notari, nā helu helu, nā ʻaelike hoʻolimalima, nā minuke o ka loio, nā helu helu helu, ka hana palekana... A me nā leka aloha, nā tiketi keaka, nā diaries a me nā mele. "ʻO ka mea pōmaikaʻi, ua mālama koʻu mau kūpuna i nā mea a pau i kākau ʻia, ʻaʻohe mea haʻahaʻa, a manaʻo lākou he laʻa ka mālama ʻana i kēlā mau leka a me nā memo i waiho iā lākou ma kahi ʻino," wahi a Riquer.
ʻO Ciudad Condal, moʻokūʻauhau lau: kēlā me kēia hale, e like me kēlā me kēia lua kupapaʻu, e pili ana i ka hoʻolālā o kona manawa; nā pāpaʻi a me nā monuments, nā ʻano hegemonic – nā kukui a me nā aka – i kēlā me kēia pae mōʻaukala.
Hoʻopaʻa ʻia e ka monotheism o ka dogma, ka communism municipal a me ka nationalism autonomous e hoʻoponopono i ka hoʻomanaʻo i kā lākou ʻike hoʻokahi o ka mōʻaukala. Nui nā 'Barcelonas', akā makemake wale lākou i kā lākou iho. Me kēlā me kēia lālā i haehaeʻia mai ka lāʻau hoʻomanaʻo, hele i kahi'āpana o kaʻuhane o Barcelona.
Heluhelu wale wau 'The Endless Combat' (Navona) na Juan José Flores i hōʻike i kēia mahina ma ka puke Byron. Hoʻopuka ka mea kākau i ka noho ʻana o Jorge Luis Borges ma Barcelona i ʻApelila 1980. Ua loaʻa i ka mea kākau makapō ka makana Cervantes a waiho i kahi moʻolelo: Ua hāpai ʻo Borges i kahi moʻolelo i ʻike ʻole i ka mālamalama o ka lā a ua hoʻopaʻa ʻo ia ma ka lipine. Ua kū mai ka moʻolelo mai kahi kamaʻilio ma waena o Adolfo Bioy Casares a me kahi mea kākau moʻolelo. Ua ʻōlelo ʻo Bioy aia ka lipine i kahi mea i hālāwai me kāna hoaaloha ma Barcelona a kōkua iā ia i kahi pilikia o kona olakino.
Ma kekahi o kāna 'Latidos' pono, hoʻomanaʻo ʻo Sergio Vila-Sanjuán i ka wā i ʻōlelo ai ʻo Borges i mua o ʻelua kaukani poʻe i hoʻopaʻa i ka auditorium o ke Kulanui o Barcelona: ʻo ka Rector Badia i Margarit wale nō i nalowale, ʻoluʻolu ʻole ma muli o nā kūlana politika o ka mea kākau.
Ma Iune 4, 1985, ua hoʻi ka mea kākau a me ka haku mele i Barcelona e hōʻike i ka 'The Conspirators', kāna hana hope loa: ua make ʻo ia i hoʻokahi makahiki ma hope. Ua kali ʻo Joan Rigol, ke Kuhina o ka Moʻomeheu o Generalitat, ma ke kahua mokulele: mahalo mau ka nationalism i ka ʻōlelo a Cervantes. Ma ka hōʻike ʻana o 'The Conspirators', Sant Jordi Hall, ua ʻōlelo ʻo Gil de Biedma "ua lilo mākou i Borges, ʻoiai ʻaʻole mākou i ʻike i ka wā."
Ma kāna puke moʻolelo, hakakā ʻo Flores i ka lua o ka make o ka poina. ʻO kāna protagonist he pahu pahu mua i hoʻololi ʻia i kaʻa kaʻa e hoʻokele iā Borges a puni Barcelona. Ma ke ala e pili ana ka mea kākau i nā hana kaumaha o ka mea lanakila ʻo Josep Gironès. Kapa ʻia ʻo 'the Canari', ua hoʻopau ʻo ia i ke pio i hoʻopiʻi ʻia no ka hoʻohana ʻana i kona ikaika pugilistic e hoʻomāinoino i nā Czechs.
ʻO ka mea i hoʻopiʻi ʻia, ka mea hoʻomāinoino maoli, i kapa ʻia ʻo Gironès, ua wehe ʻia e ka mea kākau moʻolelo ʻo Morera Falcó, ʻo Gironès, ʻaʻole e hoʻi hou ʻo Gracia i Barcelona: ua make ʻo ia i ka makahiki 1982 me ka poina ...
ʻO ka hoʻomanaʻo o ko mākou kūlanakauhale he mahalo ʻole a me ka naʻaupō. ʻAʻohe plaques no Montserrat Caballé, Salvador Dalí, Ignacio Agustí a i ʻole Carmen Barcells: ʻo ka luna hoʻolaha nui e hoʻoulu i kekahi moʻolelo hou, Borgesian ma ke ala, na ka Argentine Guillermo Martínez: 'Ka manawa hope' (Destino).
Hoʻopau ka manaʻo hoʻomanaʻo o Ada Colau e like me ka pele pele a hoʻopau i ka hoʻomanaʻo o Barcelona.
Ua noi ka mea paʻi kiʻi ʻo Jorge Ribalta ma Iune 18 ma ka 'Quadern' o 'El País' no ka hoʻihoʻi ʻana i ka monument iā Antonio López: he monument ʻaʻole e hōʻike wale i kahi ʻano Kina i loko o ka hui i hoʻoholo e kūkulu. A ʻo ka hui nāna i kūkulu ʻo ia ka Catalan colonialist bourgeoisie nāna i hāpai i ka hoʻolālā Cerdà a me ka Hōʻikeʻike o 1888. ʻO ka strata: modernism, 'novecentisme', rationalism, Francoism, Games o '92 ... Ua hōʻole ka populist inquisition i ka noho kauā. ʻO Antonio López a poina i ka mea hana a me ke kākoʻo moʻomeheu. ʻO kāna hānau ʻana ʻo Cantabrian i maʻalahi i ka mōhai hoʻomana anti-colonial: ʻo ke koena o nā kauā, no ka mea he Catalans lākou, ua hoʻokuʻu ʻia mai ka auto-da-fe. ʻO ka populist revisionism e like me ka Taliban iconoclasm, hoʻopau ʻo Ribalta.
Ke holomua nei ka holoi lole: me ka hoʻomanaʻo ʻana i ka hao ʻia a me ka urbanism tactical i hōʻike ʻia e ka Cerdà Plan. ʻO ke kahua ʻo Save Barcelona o ka loio ʻo Jacint Soler Padró a me ka mea hoʻokele waiwai ʻo Francesc Granell e kāhea aku i ka hui kīwila ʻaʻole i hoʻopaʻa ʻia e ka hanana hānau politika e pale aku i ke kūlanakauhale mai ka honua wela a noi aku iā Ensanche e haʻi ʻia he World Heritage Site e UNESCO. ʻO kekahi kahua ʻē aʻe, ʻo Save the Diagonal, ke kūʻē nei, e like me ke kūkākūkā ʻana o ka Meia Hereu i mālama ʻole ʻia e Colau, ʻo ka tram invasive e monopoli ana i ke alaloa.
Ua kākau ʻo Flores ma 'The Endless Combat' i ka mokomoko, e like me ke ola, pono ʻoe e ʻike pehea e hāʻule ai: "Ma muli o kahi hāʻule maikaʻi ʻole hiki iā ʻoe ke honi i ke kāwele no ke koena o kou ola." Pono ka poʻe o Barcelona e ala aʻe ma mua o ka holoi lole a ʻo kāna kohu collectivist ʻona e pale iā lākou mai ka hoʻomanaʻo ʻana ʻo wai lākou.
