KOKOA
A hikiwawe, ua like ia me ka hāʻule ʻana i loko o kahi honua like ʻole kahi o nā mea āpau. Inā hoʻoweliweli ʻo Mark Zuckerberg iā mākou i kekahi mau mahina i hala aku nei me ka hoʻolaha ʻana o kāna Meta, ua loaʻa kekahi mea ma Benidorm i loko o kahi mau hola ua hoʻopili ʻia mākou e ka Teta. ʻO ka Tetaverse, kahi ao honua kahi i hōʻuluʻulu ʻia ai ka cosmos holoʻokoʻa i kahi tit. ʻO ke kumu, ʻo ia ka mea mele i kapa ʻia ʻo Rigoberta Bandini. A laila, ʻaʻole i liʻuliʻu ka puka ʻana mai o ka haʻiʻōlelo ʻole o ke Kuhina Irene Montero, ʻo ia ka hōʻailona maopopo o ka hoʻohaʻahaʻa ʻana o kekahi kumuhana hoihoi. A ʻo ka hope, iho mākou i ka pae detritus o ka sociological-twitter analys kahi mea nani, hānai a sonorous e like me ka (huaʻōlelo) tit i mummified, maloʻo a inert.
ʻO nā mea e pili ana iā Woody Allen a me ke kiʻi kaulana me ka tit nui ma nā mea a pau āu e makemake mau ai e ʻike e pili ana i ka wahine, a i ʻole ka puke Kafkaesque a Philip Roth 'The Breast' ʻaʻohe mea e hoʻāla ai i ka hoʻopaʻapaʻa. Ma waena o nā mea ʻē aʻe no ka mea ʻo ka tit ka hopena hope loa o ke ola e hiki ai ke hoʻopaʻapaʻa. ʻAʻohe mea hiki ʻole ke hōʻole ʻia ma mua o ka boob. ʻAʻole i hoʻohui ʻia ka huaʻōlelo "maikaʻi" no ka mea, ʻo ka mea mua, ʻo ka hoʻohālikelike ʻana i kēia a i ʻole kēlā tit e like me ka maikaʻi ma luna o kēlā me kēia kanaka, a, ʻo ka lua, no ka mea he redundant: maikaʻi mau ka tit ponoʻī. E like me ka mea maʻamau i kēia mau mea, ʻo ka poʻe censors ka mea mahalo nui i ka mea o ka censorship. E like me nā mea noiʻi Paniolo nāna i pāpā i nā puke moʻolelo ma ʻAmelika no nā makahiki ʻoi aku ma mua o ʻekolu haneli, ʻo ia hoʻi, e hoʻomaopopo loa wau i ka mana transgressive o kēlā ʻano moʻokalaleo, ʻo ka censorship pixel o Instagram kahi pale o ka hoʻoulu ʻana a me ka hoʻohaunaele ikaika o kahi. téta No kēia kumu, ʻo ka poʻe wahine e hele i nā alanui e kūʻē i ka tits, me ka manaʻoʻiʻo ʻo ia ke ʻano o kā lākou scandalize i ka heteropatriarchy, hāʻawi mai iaʻu i ka ʻoluʻolu. ʻO wai ka mea i manaʻoʻiʻo e ʻai ka ʻaha kanaka i ka makau a lākou e makemake ai e hōʻino i ka heteropatriarchy, ke ʻike mākou a pau i ka mea a lākou e makemake ai, a ua kuleana lākou, ʻo ia wale nō ka hōʻike ʻana i kā lākou boobs. ʻAʻole ma ke ʻano he mea hana kālaiʻāina akā ma ke ʻano he boobs. A ʻo ka poʻe, ma ke ʻano nui, me ka nānā ʻole i ke ʻano politika a lākou e ʻōlelo nei, e lokomaikaʻi lākou me nā tits. ʻO ia ka manaʻo hoʻohewa e pale iā mākou mai ka ʻike ʻana iā mākou iho i ke poʻo.
No kēia kumu, no ka mea, ʻo ka mea ʻino loa i hiki i ka tit ke lilo ia i hōʻailona ʻole, hoʻopiha wale ʻia e ka waiū hānai a i ʻole e ka politika, hauʻoli wau ʻaʻole i lanakila ʻo Rigoberta Bandini i ka ʻahaʻaina Benidorm a ʻo ia hoʻi, kēlā nani. ʻO ka wahine i kapa ʻia ʻo Chanel ka mea nāna e pani i Sepania ma Eurovision. ʻO ka ʻoiaʻiʻo, i ka manawa i manaʻo ʻia ʻo ia ka manawa hope loa o ka moho kūhelu, ua nalo ka bululu a puni ka tit, e like me ka tit planetary e hoʻoheheʻe ʻia i ka lewa me ka maʻalahi o kahi ʻōhū kopa. E lawelawe, i kekahi hihia, i keia panalaau o kela panalaau aloha i kapaia o Sepania i ole kakou e lawe wale i ka tit. ʻAʻole e hoʻohaʻahaʻa nā kāhuna a me nā kāhuna o nā ʻaoʻao kālaiʻāina iā ia, ka poʻe i ʻike i loko ona he hewa a he lama. ʻAʻole hoʻi mākou e hāʻule i loko o ka heresy o assimilate ia, no ka laʻana, i ka pepeiao. A i ʻole e hoʻololi me nā ʻāpana kino ʻino maoli, e like me ke kuʻekuʻe.
